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Floribert Endong, Ph.D.

University of Dschang, Cameroon — Assistant Professor

Research Areas

Communications Theory
Crisis Communication
Development Communication
Media Aesthetics
Media Audiences

Ongoing Projects

Football Politics and Cultural Production in Africa

Highlighted publications

11. Endong, F. P. C. (2024). From Apeiron to Albatross: An Analysis of the Decolonisation of Cinema Education in Africa, Journal of Applied Languages and Culture Studies 7(1), 113-145

14. Endong F. P. C. (2023). From Makers of Image to Cineastes? Looking Critically at Festivals and Critic’s Reception of Nollywood. CINEJ: Cinema Journal, 11(1), pp.358-386

22. Endong F. P. C. (2023). Nollywood Cinema as Tool for Pro-Lesbian Advocacy: A Feminist Reading of Unaiedu Ikpe-Etim’s Ife. JIWS: Journal of International Women Studies, 25(4), 1-17

18. Endong F. P. C. (2023). De-westernisation and de-sacralisation as imperatives for the decolonization of cinema teaching in Africa. In Mudhavanu Selina et al (eds), Decolonising Media and Communication Studies Education in Africa (pp.56-74), London: Taylor & Francis /Routledge.

About

E-mail
floribertendong@yahoo.com
ORCID
http://orcid.org/0000-0003-1893-3653

Floribert Patrick C. Endong holds a PhD in Media Arts from the University of Calabar in Nigeria. He teaches undergraduate and graduate courses in cinema and TV studies at the Department of Performing Arts and Cinematography, [IBAF] University of Dschang in Cameroon. His areas of interest include visual anthropology, cinema, theatre criticism, photography, cultural studies and religious communication. He has authored more than 100 peer-reviewed articles and book chapters in the above mentioned areas of interest. He decently edited The COVID-19 Pandemic and the Digitalisation of Diplomacy (2023), Deconstructing the Image of the Global South through Media Representation and Communication (2019) and Exploring the Role of Social Media in Transnational Advocacy (2018) among other books.